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# To cancelthe selected listening position,
touch OFF.
Note
When you make adjustments to the listening po-
sition, the speakeroutputs are automatically set
for appropriate levels.You can tailor thelevels
more precisely referringto Adjusting the speaker
output levels on page90.
Recalling equalizer curves
The equalizer lets you adjust the equalization
to match car interior acoustic characteristics
as desired.
There are eight stored equalizer curves which
you can easily recall at any time. Here is a list
of the equalizer curves:
Display Equalizer curve
SUPER BASS(S. BASS) Super bass
POWERFUL Powerful
NATURAL Natural
VOCAL Vocal
FLAT Flat
CUSTOM1 Custom 1
CUSTOM2 Custom 2
CUSTOM3 Custom 3
! CUSTOM1, CUSTOM2 and CUSTOM3 are
adjusted equalizer curves.
! When FLAT is selected no supplement or
correction is made to the sound. This is
useful to check the effect of the equalizer
curves by switching alternatively between
FLAT and a set equalizer curve.
When selecting multi-channel
mode
% Touch PARAMETRIC EQ on the sound
setting menu to select the equalizer.
Touch PARAMETRIC EQ repeatedly to switch
between the following equalizers:
POWERFUL—NATURAL—VOCAL—FLAT—
CUSTOM1—CUSTOM2—CUSTOM3—
LAST MEMORY—SUPER BASS (S. BASS)
# You can select LASTMEMORY only whenthe
adjusted equalizer curve is not memorized in this
unit.
When selecting 2-channel mode
% Touch GRAPHIC EQ on the sound set-
ting menu to select the equalizer.
Touch GRAPHIC EQ repeatedly to switch be-
tween the following equalizers:
POWERFUL—NATURAL—VOCAL—FLAT—
CUSTOM1—CUSTOM2—CUSTOM3—
LAST MEMORY—SUPER BASS (S. BASS)
# You can select LASTMEMORY only whenthe
adjusted equalizer curve is not memorized in this
unit.
Adjusting 3-band
parametric equalizer
For custom equalizer curves (CUSTOM1 to
CUSTOM3), you can adjust the front, rear,
front center and rear center equalizer curves
separately by selecting a center frequency, an
equalizer level, and a Q factor for each band.
! A separate CUSTOM1 curve can be cre-
ated for each source.
! CUSTOM2 and CUSTOM3 curves can be
created common to all sources.
Audio Adjustments
En
84
Section
17