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108
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË
ä·‚ˇÚÛ‡
• DGX-500........88 Í·‚˯ Òڇ̉‡ÚÌÓ„Ó ‡ÁÏÂ‡ (A-1 - C7), Ò
ÙÛÌ͈ËflÏË Touch Response Ë Dynamic Filter.
• DGX-300........76 Í·‚˯ Òڇ̉‡ÚÌÓ„Ó ‡ÁÏÂ‡ (E0 - G6), Ò
ÙÛÌ͈ËflÏË Touch Response Ë Dynamic Filter.
ÑËÒÔÎÂÈ
• ÅÓθ¯ÓÈ ÏÌÓ„ÓÙÛÌ͈ËÓ̇θÌ˚È Üä-‰ËÒÔÎÂÈ
(Ò ÔÓ‰Ò‚ÂÚÍÓÈ)
ìÒÚ‡Ìӂ͇
• STANDBY/ON
• MASTER VOLUME : MIN - MAX
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl
• OVERALL (L, R), SONG, VOICE, STYLE, M.D.B.,
PORTABLE GRAND, SPLIT, METRONOME, [0]-[9], [+](YES),
[-](NO), DEMO, TOUCH, HARMONY, DUAL, DICTIONARY, L,
R, TEMPO/TAP
íÂÏ·
• 122 ÚÂÏ·‡ ̇ Ô‡ÌÂÎË + 12 ̇·ÓÓ‚ Û‰‡Ì˚ı + 480 ÚÂÏ·Ó‚
Òڇ̉‡Ú‡ XG + 5 ÚÂÏ·Ó‚ DJ
• èÓÎËÙÓÌËfl: 32
ëÚËθ
• 135 ÒÚËÎÂÈ + ‰ËÒÍÂÚ‡
• ìÔ‡‚ÎÂÌË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ:ACMP, SYNC STOP,
SYNC START, START/STOP, INTRO ENDING,
MAIN/AUTO FILL
• ÄÔÎË͇ÚÛ‡: èÓ‰‰ÂÊ͇ ÌÂÒÍÓθÍËı ÏÂÚÓ‰Ó‚ Ë„˚
‡ÍÍÓ‰‡ÏË
• ÉÓÏÍÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
åÛÁ˚͇θ̇fl ·‡Á‡ ‰‡ÌÌ˚ı
• 208
燷Ó Ó·Û˜‡˛˘Ëı Ò‰ÒÚ‚ (Yamaha Educational Suite)
• ëÎÓ‚‡̇fl ÙÛÌ͈Ëfl (Dictionary)
• ìÓÍË 1-4
ç‡ÒÚÓÈ͇ ‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ
• íÂÏ· (‰Îfl Í‡Ê‰Ó„Ó ÒÚËÎfl ËÎË ÔÂÒÌË)
äÌÓÔÍË Overall
ùÙÙÂÍÚ˚
• Reverb : 8 ÚËÔÓ‚
• DSP : 38 ÚËÔÓ‚
• Harmony : 26 ÚËÔÓ‚
èÂÒÌË
• 100 ÔÂÒÂÌ + 5 ÔÂÒÂÌ ÔÓθÁÓ‚‡ÚÂÎfl
• 쉇ÎÂÌË ÔÂÒÌË (Song Clear), ÒÚË‡ÌË ‰ÓÓÊÍË (Track
Clear)
á‡ÔËÒ¸
• èÂÒÌfl
èÂÒÌË ÔÓθÁÓ‚‡ÚÂÎfl: 5 ÔÂÒÂÌ
á‡ÔËÒ¸ ‰ÓÓÊÂÍ: 1, 2, 3, 4, 5, Accompaniment
ÑËÒÍÂÚ‡
• ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
• ëÓı‡ÌÂÌË (Save)
• ᇄÛÁ͇ (Load)
• 쉇ÎÂÌË (Delete)
• îÓχÚËÓ‚‡ÌË (Format)
MIDI
• Initial Send
• Local on/off
ÇÒÔÓÏÓ„‡ÚÂθÌ˚ ‡Á˙ÂÏ˚
• PHONES/OUTPUT, DC IN 12V, MIDI IN/OUT, FOOT SWITCH
ìÒËÎËÚÂθ
• 6,0 ÇÚ + 6,0 ÇÚ
ÑË̇ÏËÍË
• 12 ÒÏ x 2 + 3 ÒÏ x 2
èÓÚ·ÎflÂχfl ÏÓ˘ÌÓÒÚ¸
• UL / CSA : 19 ÇÚ
• CE : 18 ÇÚ
(Ò ‡‰‡ÔÚÂ‡ÏË PA-5D ËÎË PA-5C)
àÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl
• ĉ‡ÔÚÂ : Yamaha PA-5D ËÎË PA-5C
• ŇڇÂË :
6 ·‡Ú‡ÂÈ ‡ÁÏÂ‡ D, R20P (LR20) ËÎË
‡‚ÌÓˆÂÌÌ˚Â
ɇ·‡ËÚ˚ (¯ËË̇ x ‰ÎË̇ x ‚˚ÒÓÚ‡)
• DGX-500.........................1,380 x 430 x 173 ÏÏ
(54-1/3" x 16-15/16" x 6-3/4")
• DGX-300.........................1,178 x 410 x 168 ÏÏ
(46-3/8" x 16-1/8" x 6-5/8")
ÇÂÒ
• DGX-500.........................14 Í„ (30 ÙÛÌÚÓ‚ Ë 14 Û̈ËÈ)
ÔÓ‰ÒÚ‡‚͇ DGX-500.......7,6 Í„ (16 ÙÛÌÚÓ‚ Ë 12 Û̈ËÈ)
• DGX-300.........................10 Í„ (22 ÙÛÌÚ‡ Ë 1 Û̈Ëfl)
èË̇‰ÎÂÊÌÓÒÚË, ‚ıÓ‰fl˘Ë ‚ ÔÓÒÚ‡‚ÍÛ
• DGX-500........èÓ‰ÒÚ‡‚͇
艇θÌ˚È ÔÂÂÍβ˜‡ÚÂθ
è˛ÔËÚ
ÑËÒÍÂÚ‡ Ò ‰‡ÌÌ˚ÏË
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
äÌË„‡ ÔÂÒÂÌ
• DGX-300........è˛ÔËÚ
ÑËÒÍÂÚ‡ Ò ‰‡ÌÌ˚ÏË
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
äÌË„‡ ÔÂÒÂÌ
* íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë ÓÔËÒ‡ÌËfl ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â
ÔÓθÁÓ‚‡ÚÂÎfl Ô‰̇Á̇˜ÂÌ˚ ÚÓθÍÓ ‰Îfl ËÌÙÓχˆËË. äÓÔÓ‡ˆËfl
Yamaha ÒÓı‡ÌflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ËÁÏÂÌflÚ¸ Ë ÏÓ‰ËÙˈËÓ‚‡Ú¸ ÔÓ‰ÛÍÚ˚
Ë Ëı ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌËfl.
èÓÒÍÓθÍÛ ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, Ó·ÓÛ‰Ó‚‡ÌËÂ Ë ‚ÓÁÏÓÊÌÓÒÚË
ÏÓ„ÛÚ ÓÚ΢‡Ú¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÚ‡Ì˚, Á‡ ‰ÓÔÓÎÌËÚÂθÌÓÈ
ËÌÙÓχˆËÂÈ Ó·‡˘‡ÈÚÂÒ¸ ‚ ÏÂÒÚÌÓ Ô‰ÒÚ‡‚ËÚÂθÒÚ‚Ó ÍÓÔÓ‡ˆËË
Yamaha.
• í‡ÌÒÔÓÌËÓ‚‡ÌËÂ
• ÉÓÏÍÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡/
ÔÂÒÌË
• ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ
• ÑˇԇÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚
Á‚Û͇ (PITCH BEND RANGE)
• Tuning
• MIDI
• Harmony
• Reverb
•DSP
• Grade
• Lesson Track L/R
• Track Octave
ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË, ÔÓÒÚ‡‚ÎflÂÏ˚ ÔÓ
Ê·Ì˲ ÔÓÍÛÔ‡ÚÂÎfl
• DGX-500
• ç‡Û¯ÌËÍË : HPE-150
• ĉ‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ : PA-5D, PA-5C
• DGX-300
• ç‡Û¯ÌËÍË : HPE-150
• ĉ‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ : PA-5D, PA-5C
• 艇ÎË : FC4 / FC5
• èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚ : LG-100