
A-5
960L Owner’s Maunal Appendix
Appendix, continued
*Surround - Chamber + Ambience
Number Name Algorithm Description
B5 P1
Large + Chamber
Ambient
Chamber
A Large recital hall with a stage.
B5 P2
Med + Chamber
Ambient
Chamber
Medium-sized Ambience up front with about a 1.75 second MidRT setting, make
this like a 40-80 seat recital hall.
B5 P3 Small + Chamber
Ambient
Chamber
Small-sized ambient reflections coupled with a chamber reverb give this Program
an intimate feel. Good for individual acoustic instruments.
B5 P4
Big Empty Church
Ambient
Chamber
Large ambience up front, with long MidRT settings emulate a high-ceilinged altar
and large reverberant seating area.
B5 P5
Med Vocal
Church
Ambient
Chamber
Large ambience in front spreads out early reflections. Lends a nice "doubling"
effect to fatten up sources. Great for choirs and back-up vocals.
B5 P6 Bright Front
Ambient
Chamber
Smaller bright ambience in front with dark reverb space. Keeps attention focused
forward.
B5 P7 Bright Rear
Ambient
Chamber
The opposite of Bright Front, this has the outputs panned so the bright ambience is
in the rear and the dark reverb is in the front.
B5 P8 Pulpit
Ambient
Chamber
Very small ambient reflections give the immediate sound of being under the
canopy of a pulpit, with the reverberant space of the church around you.
B5 P9
Vocal Breeze
Ambient
Chamber
Strong, large ambience with reverb gives an airy quality to vocals. Use sparingly
for natural effect.
B5 P0 Snare Strainer
Ambient
Chamber
Useful for adding more strainer to a snare that is all "attack."
Surround Bank 5: *Stage + Chamber
Number Name Algorithm Description
Small room, with thin carpeting on the floor and irregular, reflective surfaces.
A medium-sized, highly reflective space.
Broad and diffuse, a good chunky sound for the band.
Extreme setting of MidRT gives an abrupt cutoff of reverb. Use Size, Shape and
Spread to vary the duration and texture of the gate.
Small, like a bedroom with bright characteristics.
B6 P6
Tiny Room
Ambient
Chamber
Very small space with boosted ambient reflections
B6 P7
Ambience 4
Horns
Ambient
Chamber
Trumpets, Sax, Tubas – any type of brass instruments work well with this Program –
especially multiple horns in sections.
Multiple echoes make this program good for dramatic effects. Also ideal for
screamin’ lead guitar solos.
Medium-sized room with heavy early reflections. Good for Leslie cabinets. Reverb
adds body while ambient reflections keep source changes distinct.
Open living space, with lots of fine Italian tile and not much carpeting.