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Data Sheet-1
DEQ 60L
GRAPHIC EQUALIZER
General Description
When the term “graphic equalizer” was rst coined, the intent
was to provide a device that allowed the user to “draw” the desired
frequency response using slider controls on the unit’s front panel.
us, the Holy Grail of graphic equalizers is a device with a
response that truly matches the slider settings. For years, this
seemingly unobtainable goal resulted in products based on the
ne art of compromise … until the DEQ 60L.
It’s not Constant—not Proportional—It’s Perfect! Digital
Signal Processing (DSP) allows lter technology not possible with
analog designs. Rane coined the term Perfect-Q™ to describe the
results (U.S. patent 7,266,205). e DEQ 60L is the rst true
graphic equalizer (i.e., one providing real mechanical front panel
slide controls) whose output response precisely matches its front
panel settings. Perfect-Q features virtually no band interaction
and extremely low ripple between adjacent bands. To keep things
exible, fear not proportional-Q lovers, each channel of the DEQ
60L is selectable between Perfect-Q or Proportional-Q response.
For all the details, read the RaneNote “Perfect-Q, the Next
Step in Graphic EQ Design” available at the Rane website.
DATA SHEET
e DEQ 60L features 45 mm sliders, a switchable Cut-Only
mode, additional Cut lters, and additional 3-band Tone con-
trols. e DEQ 60L provides the most complete set of pure EQ
functions ever oered in an analog controlled equalizer.
GRAPHIC EQUALIZER
6
7k
14k
5k
10k
20k 15
120
30
240
60
+6 -12 -6 -3 0 +3 +12 OL
+6 -12 -6 -3 0 +3 +12 OL
12
12
12
12
+
0
+
0
+
0
6
7k
14k
5k
10k
20k 15
120
30
240
60
12
12
12
12
+
0
+
0
+
0
CU T -ON L Y
12
4
8
5
7
3
2
10
1
11
9
0
6
CUT
12
4
8
5
7
3
2
10
1
11
9
0
6
CUT
6
2
4
1
5
0
3
CUT
6
2
4
1
5
0
3
CUT
5.0k 25 31.5 40 50 63 80 100 800 125 160 200 250 500 400 315 630 2.0k 1.25k 1.0k 1.6k 3.15k 2.5k 4.0k 12.5k 8.0k 6.3k 10k 16k 20k LOW MID HIGH LOW HIGH IN OUT
POWER
B EQ
EQ
PROPO R T - Q
OUT
IN
PERFEC T -Q ™
BY P AS S
A
±12
CUT FI L TER S TONE LEVEL
DEQ 60L
A
B
A
B
B
PROPO R T - Q
OUT
IN
PERFEC T -Q ™
BY P AS S
A
±12
12
4
4
2
2
6
8
8
10
10
6
12
0
+
12
4
4
2
2
6
8
8
10
10
6
12
0
+
±6
±6
6
2
2
1
1
3
4
4
5
5
3
6
0
+
6
2
2
1
1
3
4
4
5
5
3
6
0
+
Features
• Perfect-Q™: What You See Is What You Get (No lter interaction)
• Proportional-Q: Classic smooth response
• Independent Accelerated-Slope™ 3-band full-cut tone controls
• Low-Cut and High-Cut Filters
• Input and Output Level controls
• Each channel may use A or B channel controls:
· Stereo Linking
· Two “analog memories”
· A-curve / B-curve comparison
• 45 mm sliders with center detents
• Two Boost / Cut ranges: ±6 dB or ±12 dB
• Switchable Cut-Only mode
• Eight segment metering for each Input and Output
• Analog controlled DSP
• XLR, TRS and Euroblock connectors
• Bypass switch (DSP), Bypass relay (power failure)
• Exceptional RF and magnetic immunity
• Universal internal switching power supply (100-240 VAC)
Typical PA adjustment showing the dierence between Perfect-Q and
Proportional-Q. Which curve matches the slider positions?
31.5 40 50 63 80 100125 160 200 250 315 400 500 630 8001.0k1.25k 1.6k 2.0k 2.5k 3.15k 4.0k 5.0k 6.3k 8.0k 10k 12.5k 16k 20
4 dB
error
6 dB
error
3 dB
error
Rane Perfect-Q™
Proportional-Q